Sunday 27 March 2016

Rare Book Rooms of the World- Lets go to NY


Since 1927, The Strand bookstore has endured as a bastion of literature and an iconic New York institution — a "monument to the immortality of the written word," in Fran Lebowitz's words. The sole survivor of the city's famous Book Row, this living landmark whose famed red awning boasts "18 miles of books" has continued to grow in size and scope. In 2003, it was crowned with a Rare Book Room occupying the newly built top floor — a spacious portal into a different era, with its oriental rugs and velvet curtains and Edwardian leather armchairs and shelves overflowing with treasures ranging from signed Hemingway first editions to esoteric Victorian encyclopedias of botany.

It was there that some of the greatest writers of our time began convening for a series of revelatory public conversations — titans like George Saunders, Renata Adler, A.M. Homes, David Shields, Alison Bechdel, Mark Strand, Paul Auster, and Edward Albee. The record of these extraordinary encounters now appears as Upstairs at the Strand: Writers in Conversation at the Legendary Bookstore (public library).

Jessica Strand, who masterminded the series and who currently hosts the wonderful Books at Noon program at the New York Public Library, writes in the preface:

It was this feeling — the serendipity, the variety, the happy collision of books, ideas, and people — that we tried to capture in our reading series up in the Rare Book Room. The goal was to match writers with other writers: two (or more) equals on stage for freewheeling, candid conversations on their work, their craft, their likes, their dislikes.

The pairings span an enormous range of relationships — dear friends who had loved each other for decades, admiring strangers who had never met in person before, writers who teach each other's work, thinkers linked by a common thread not readily visible. Each conversation is governed by a different self-determined dynamic — some become interviews, with one writer assuming the role of the revealer and the other of the revealed; some are two-way celebrations, where the mutual goodwill and deep admiration become the lens through which both writers' work is illuminated; some are dynamic interactions of ideas bouncing between two formidable minds and radiating into a winding, layered, nuanced conversation about, oh, everything.

https://www.brainpickings.org/2016/03/21/junot-diaz-upstairs-at-the-strand/?mc_cid=0379a5846e&mc_eid=450801d0ab

Monday 21 March 2016

The MOMA Artists cookbook

The MoMA Cookbook: Vintage Recipes and Reflections on Food by Salvador Dalí, Louise Bourgeois, Willem de Kooning, Andy Warhol, and Other Great Artists"Art is a form of nourishment," Susan Sontag wrote in her diary. This, perhaps, is why the relationship between art and nourishment has such a long history of transcending the metaphorical, from the cuisine of Futurism to Liberace's cookbook to the meals of famous fiction.
In 1977, decades before The Modern Art Cookbook made its debut, a pair of art and cuisine enthusiasts, Madeleine Conwayand Nancy Kirk, collaborated with New York's MoMA on The Museum of Modern Art Artists' Cookbook (public library) — a marvelous compendium of favorite recipes and reflections on food by thirty of the era's most prominent artists, including Salvador Dalí, Louise Bourgeois, Robert Indiana, Will Barnett, Larry Rivers, Andy Warhol, and Willem de Kooning.

Beatrix Potter, Mycologist: The Beloved Children’s Book Author’s Little-Known Scientific Studies

Beatrix's interest in drawing and painting mushrooms, or fungi, began as a passion for painting beautiful specimens wherever she found them. She never saw art and science as mutually exclusive activities, but recorded what she saw in nature primarily to evoke an aesthetic response. She was drawn to fungi first by their ephemeral fairy qualities and then by the variety of their shape and colour and the challenge they posed to watercolour techniques. Unlike insects or shells or even fossils, fungi also guaranteed an autumn foray into fields and forests, where she could go in her pony cart without being encumbered by family or heavy equipment.

Hygrophorus puniceus (Armitt Museum and Library)

There is also something quite poetic about Potter's obsession with fungi — in her later children's books, she bridged real life and fantasy by transmuting the animals and plants she observed in nature into whimsical characters and stories, and mushrooms have long symbolized this very transmutation, perhaps most prominently in Lewis Carroll's Wonderland, which first captured the popular imagination the year Potter was born." Read more...

https://www.brainpickings.org/2015/07/28/beatrix-potter-a-life-in-nature-botany-mycology-fungi/?mc_cid=d5c62fbe75&mc_eid=450801d0ab

Sunday 6 March 2016

Mr Finch’ at Anthropologie,London


You may remember Mr Finch's moths from when we have written about his fabulous work before, but this time he's introduced swans, gold spiders, dancing mushrooms and an elegant toadstool, complete with a weekend-away suitcase. All are slightly charred with a darkness that comes through both in colour and in the alarming manner in which they look at you.

mr_finch_spider_fox

There is a beautiful book, illustrating his creations so far. "it's really a portfolio of work' he continued, as he flipped through the delightfully odd menagerie of creatures and it's a must -buy for anyone who loves this area of the creative world. For those who don't fancy committing to the book, the Mr Finch Tumblr is a good alternative.

I love speaking to Mr Finch, love entering his fairytale 'world' of make believe. Anthropologie has done an excellent job of recreating the inside of his head with Cinder Embers in its Kings Road gallery space, all dark and mysterious with plenty of insects, animals and other oddities. It's really designed for adults but I suspect that this little world would appeal to certain kids too, makes a nice Christmas alternative from Santa's Grotto.

mr_finch_better

Mt Finch's beautiful book can be bought here, and the AnthropologiCinder Embers pop up featuring his work can be found on the Kings Road in London and is open until 4th January.

http://www.thewomensroomblog.com/2014/11/14/mr-finchs-cinder-embers-exhibition-at-anthropologie/

Friday 4 March 2016

Are Emoji the Death of Grammar?

It's Grammar Day! We are talking about English and we can enjoy a field trip through new ideas...

Meanwhile in the gallery we have the equally expressive Print Magazine Awards.



The (Smiley) Face of the Future
In a text message, the only thing separating barely suppressed hostility and authentic gratitude is a simple 😃. Just look at the difference between "Okay, thanks" and "Okay, thanks 😃."
Texts are often only a few words long, not enough to establish a tone of voice. Emoji were developed in the late 90s to try to concentrate the entire tonal work of a sentence, which is normally shaped by each decision a writer makes, from word choice to syntax, into one character.
"The only thing separating barely suppressed hostility and authentic gratitude is a simple 😃"
Though some think they're the death of grammar, emoji follow grammar rules all their own.
  • Emoji of tone, like smileys, appear at the end of thoughts to tell others how to interpret them 😓
  • They're read from left to right like most modern languages
  • Their use varies by region, gender, and age, similar to linguistic dialects
  • Emoji of tone appear before emoji of action, 😝🙌
  • The subject of an emoji "sentence" varies according to which way a verb points, as in 😺👈👶 ("The baby points at the cat.")
Emoji aren't replacing written language anytime soon, but at least now you don't have to wonder whether a friend is "fine 😃" or "fine 😡."

https://medium.com/@ElevateLabs/are-emoji-the-death-of-grammar-82527f019c68#.p8228yivh